Swallowing Geography – Audio Guide

Curated by Rachel Botha

Swallowing Geography is a dual-venue exhibition and public programme at the Regional Cultural Centre and Glebe House & Gallery in Donegal.

  • RCC opens Saturday 15 October to Saturday 17 December.
    Tuesday to Friday, 11am – 5pm, Saturday, 1pm – 5pm.
  • Glebe House & Gallery opens on Friday 7 October to Wednesday 30 November. Monday to Sunday in October, 11am – 5pm. 
    Saturday and Sunday in November, 11am – 4pm.

Commissioned Exhibition Text – Emily Cooper & Dean Fee


Curator Note – Rachel Botha



Models & Constructs Design Research and Process 




Commissioned Donegal Artists

Cara Donaghey

Laura McCafferty

Jill Quigley 

Eoghan McIntyre



Regional Cultural Centre – Arts Council Collection 

Anita Groener, And Leaves You Not, 1998


Bassam Al Sabah, Wandering, Wandering with a Sun on my Back, 2018

 Carmel Benson, Untitled 28_50, 199


Constance Short, Still Life II 5_10, 1977




James Dixon, Mary Driving the Cattle Home across the Sands of Dee, 1967


Mairead O’hEocha, Fir Tree and Dump, 2010



Maria Simonds-Gooding, Store Place, 1980

Marielle MacLeman, The streets, our brushes, 2019

Patrick Hall, Mountain 1995, 1995


Rajinder Singh, Point at a passing migrant bird with a raised locked arm and an open palm, 2020

Ruth E Lyons, Salarium, 230 million BCE, ongoing




Regional Cultural Centre – Irish Museum of Modern Art Collection

Caroline McCarthy, Greetings, 1996



Glebe House & Gallery – Arts Council Collection 

Allyson Keehan, Fabricating Fantasy: Red, 2019

Andrew Vickery, Arcades Ambo, 2012

Eleanor McCaughey, Portrait, 2018

Genieve Figgis, The Lover crowned (after Fragonard), 2018

Isabel Nolan, Quiet, please, 2005

Louis le Brocquy, Pillow Talk 14/70, 1969

Patrick Hennessy, The Studio Cat, 1978

Sibyl Montague, Handheld (eggs), 2019

 Anita Groener, And Leaves You Not, 1998Mairead O’hEocha, Fir Tree and Dump, 2010

Curated by Rachel Botha

Swallowing Geography invites us to consider the complexity of this place. While we might have a monolithic idea of what Donegal is or should be, through these artworks we can understand that beyond the hills and the dry stone walls there are people: washing dishes, reading books, making art. As Sibyl Montague has said in an interview “people are assemblages, in a sense”. What individuals are made of might be arranged differently in a rural context, but they are no less complex, rich or contradictory.

In That They May Face the Rising Sun, John McGahern writes that people who leave might do so because it “renews and restores a sense of their own places”. The idea of home is appealing, but in the context of these works, going away and coming back is not always an option. Some are forced to leave their homes because of war and strife. Others, like nomads, move around all their lives, never truly finding a place they belong. Some of us never leave, duty bound to the land, to our ancestors.

This is a place that is easy to stake a claim to: low population and high scenic amenity. People come to Donegal and think of their ancestors, real or imagined, making butter or weaving cloth in the hills. But who gets to decide who truly belongs? This is a living place. The problems faced by people living in urban areas, in Ireland and further away, are the problems of the people of Donegal. Here there are still domestic, financial, technological, and ideological difficulties to confront.

While visiting this exhibition, many of you will interpret the artworks through the lens of your own lives, through the prism of what you consider home. You may be a Donegal native with the family history to prove it, or you may just be a blow-in. You may have come here seeking the perfect landscape once gleaned from a Tourist Board postcard; you might have come seeking cheaper rent or a house you could actually buy. You may just be on your holidays. Whoever you are and however you’ve come, here you will find both Donegal and the world.

The commissioned exhibition text is written by Emily Cooper and Dean Fee, editors of The Pig’s Back journal.




Swallowing Geography is a dual-venue exhibition and public programme at the Regional Cultural Centre and Glebe House & Gallery in Donegal. The intent of this exhibition is to observe the dynamics between belonging and exclusion in response to the Donegal context. It presents the lived and imagined experiences of inhabiting space, while exploring our engagement with geographical, domestic and digital worlds.

The title Swallowing Geography is borrowed from Deborah Levy’s novella which questions the idea of home – “Is home a good place? Or just somewhere to return to?”– and expands on our perception of belonging. The exhibition attempts to share the complex narratives about securing a place in the world, where belonging is measured alongside exclusion and shares experiences of migration, displacement and marginalisation.

The exhibition includes a broad selection of artworks from the Arts Council Collection by John Beattie, Dorothy Cross, Genieve Figgis, Patrick Hennessy, Allyson Keehan, Louis le Brocquy, Eleanor McCaughey, Sibyl Montague, Isabel Nolan, Mairead O’hEocha and Andrew Vickery. New commissioned artwork by Donegal artists Cara Donaghey, Laura McCafferty, Eoghan McIntyre and Jill Quigley.

Swallowing Geography is produced and presented by the Regional Cultural Centre and Glebe House & Gallery, curated by the Early Career Curator in residence Rachel Botha.

Kindly supported by the Arts Council Ireland, OPW – Office of Public Works and Donegal County Council, Creative Ireland and Donegal Film Office.


Keep up to date on all news and events at Regional Cultural Centre...


Keep up to date on all news and events at Regional Cultural Centre...